The art of editing : Raymond Carver and David Foster Wallace / (Record no. 79964)

MARC details
000 -LEADER
fixed length control field 02367nam a22002297a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220816b2019 |||||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781501367601
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 808.027 GRO-T
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Groenland, Tim
245 ## - TITLE STATEMENT
Title The art of editing : Raymond Carver and David Foster Wallace /
Statement of responsibility, etc. Tim Groenland
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. New York
Name of publisher, distributor, etc. Bloomsbury Academic
Date of publication, distribution, etc. 2019
300 ## - PHYSICAL DESCRIPTION
Extent 268 p.
365 ## - TRADE PRICE
Price type code GBP
Price amount 28.99
500 ## - GENERAL NOTE
General note The place of the editor in literary production is an ambiguous and often invisible one, requiring close attention to publishing history and (often inaccessible) archival resources to bring it into focus. In The Art of Editing, Tim Groenland shows that the critical tendency to overlook the activities of editors and to focus on the solitary author figure neglects important elements of how literary works are acquired, developed and disseminated. Focusing on selected works of fiction by Raymond Carver and David Foster Wallace, authors who represent stylistic touchstones for US fiction of recent decades, Groenland presents two case studies of editorial collaboration. Carver’s early stories were integral to the emergence of the Minimalist movement in the 1980s, while Wallace’s novels marked a generational shift towards a more expansive, maximal mode of narrative. The role of their respective editors, however, is often overlooked. Gordon Lish’s part in shaping the form of Carver’s early stories remains under-explored; analyses of Wallace’s fiction, meanwhile, tend to minimise Michael Pietsch’s role from the creation of Infinite Jest during the mid-1990s until the present day. Drawing on extensive archival research as well as interviews with editors and collaborators, Groenland illuminates the complex and often conflicting forms of agency involved in the genesis of these influential works. The energies and tensions of the editing process emerge as essential factors in the creation of fictions more commonly understood within the paradigm of solitary authorship. The mediating role of the editor is, Groenland argues, inseparable from the development, form, and reception of these works.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element United States
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Authors and publishers
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Authorship
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Editing
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Carver, Raymond, 1938-1988
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Wallace, David Foster
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Fiction--Technique
952 ## - LOCATION AND ITEM INFORMATION (KOHA)
Withdrawn status
Holdings
Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Full call number Barcode Date last seen Price effective from Koha item type
  Dewey Decimal Classification     800 BITS Pilani Hyderabad BITS Pilani Hyderabad General Stack (For lending) 16/08/2022 808.027 GRO-T 45879 26/07/2023 16/08/2022 Books
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Act,1956 under notification # F.12-23/63.U-2 of Jun 18,1964

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