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Nightwatchman's occurrence book / V.S. Naipaul

By: Material type: TextTextPublication details: London Picador 2003Description: 545.00ISBN:
  • 9780330523707
Subject(s): DDC classification:
  • Fiction NAI-V
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Holdings
Item type Current library Collection Shelving location Call number Status Date due Barcode Item holds
Books Books BITS Pilani Hyderabad FIC Fiction Section (For lending) Fiction NAI-V (Browse shelf(Opens below)) Available 37042
Total holds: 0
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Fiction NAI-V Enigma of arrival : a novel in five sections / Fiction NAI-V In a free state : the novel / Fiction NAI-V Magic seeds : Fiction NAI-V Nightwatchman's occurrence book / Fiction NAI-V Guerrillas / Fiction NAM-K Story that must not be told / Fiction NAM-S Barnabas : Bombay's first private detective

With a preface by the author. V. S. Naipaul’s legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction – two novels and a collection of stories – that capture the rhythms of life in the Caribbean and England with impressive subtlety and humour. The Suffrage of Elvira is Naipaul’s hilarious take on an electoral campaign in the back country of Trinidad, where the candidates’ tactics include blatant vote-buying and supernatural sabotage. The eponymous protagonist of Mr Stone and the Knights Companion is an ageing Englishman of ponderously regular habits whose life is thrown into upheaval by a sudden marriage and an unanticipated professional advancement. And the stories in A Flag on the Island take us from a Chinese bakery in Trinidad – whose black proprietor faces bankruptcy until he takes a Chinese name – to a rooming house in London, where the genteel landlady plays a nasty Darwinian game with her budgerigars. Unfailingly stylish, filled with intelligence and feeling, The Nightwatchman's Occurrence Book is the work of a writer who can do just about anything that can be done with language. ‘V. S. Naipaul has a substantial claim as a comic writer . . . This humour, conducted throughout with the utmost stylistic quietude, is completely original’ Kingsley Amis, Spectator

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